Roberto Bigano Archive

The Roberto Bigano Photography Archive


Roberto Bigano is an Italian photographer with 35 books to his credit. He developed special skills in digital and high-resolution photography and taught photography at international workshops and conferences. Visit his site.
Dedicated pages on his works on Ikonographia: Bugatti Automobili, “Plastic Girls” (Mannequins), Sardinia Artistic Bread.

Browse all Roberto Bigano’s Stories


Bugatti Automobili, The Blue Factory & EB110 — A Complete Visual Archive

Bugatti Automobili, The Blue Factory & EB110 — A Complete Visual Archive

This featured story introduces a newly re-edited and expanded view of Roberto Bigano’s photographic documentation—available nowhere else—of one of the most ambitious and influential supercar projects of the 1990s.

This page brings together three fully restyled chapters and reframes them as a coherent visual archive: the Fabbrica Blu, the production process behind the scenes, and the development of the car from the EB110 model to the EB112.

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Plastic Girls: 50 Years of Artificial Beauty

Plastic Girls: 50 Years of Artificial Beauty

Plastic Girls: 50 Years of Artificial Beauty introduces a newly re-edited and expanded view of Roberto Bigano’s long-term photographic study of shop-window mannequins.

This featured page brings together three fully restyled chapters and reframes them as a coherent visual archive, examining artificial femininity and commercial display as cultural artifacts across nearly five decades.

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Art Deco Elevator Panels at Fred French Building (1927) — Glinsky & Bach

Art Deco Elevator Panels at Fred French Building (1927) — Glinsky & Bach

Explore the gilded Art Deco elevator panels of the Fred F. French Building (1927), created by Vincent Glinsky and Oscar Bach. Eight symbolic reliefs represent Commerce, Industry, Finance, and Building — a rare surviving masterpiece of early New York skyscraper art.

These elevator doors visualize the four pillars of Fred F. French’s real-estate empire—Industry, Commerce, Finance, and Building—through a sculptural language blending Art Deco geometry with echoes of ancient Mesopotamian reliefs.

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