Ikonographia’s archive presents a curated selection of these masterpieces, photographed by Roberto Bigano  for Franco Maria Ricci’s prestigious edition of Italo Calvino’s Il Cavaliere inesistente (The Nonexistent Knight). Ricci’s brief was unforgettable: “Mr. Bigano, bring me ghosts emerging from nowhere.”

Bigano’s work is divided into two complementary series:

• Ceremonial and parade armors, photographed frontally and in isolation and illuminated to reveal repoussé decoration, engraved narratives, and mythological iconography — including masterpieces such as the celebrated “Hercules” armor of Maximilian II.

• Anthropomorphic armors, photographed front-side and in isolation, where the human presence seems implied yet absent — perfectly echoing Calvino’s tale of a knight who exists only as an empty suit of armor.

These images were created with a precise, sculptural lighting approach that isolates each piece against darkness, enhancing volume, gesture, and psychological presence. The result is one of the most distinctive contemporary photographic records of the Ambras armory — part museum study, part theatrical apparition.