SKU: 5100-1931-02-00-033 Categories: , , ,

The Nickel-Silver Elevator Doors and Metalwork — NYC Art Deco 20 Exchange Place — 1931


Architectural metalwork celebrating modern commerce.

These nickel-silver elevator doors and surrounding metalwork exemplify the refined craftsmanship of early-20th-century New York. Executed under the direction of British sculptor David Evans for the lobby of 20 Exchange Place — formerly the City Bank–Farmers Trust Building — the sculpted reliefs combine industrial precision with elegant symbolism. Themes of progress, transportation, and financial power align the work with the visual language of Lower Manhattan’s Art Deco skyline.

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SKU: 5100-1931-02-00-033 Categories: , , ,

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Nickel-Silver Elevator Doors and Lobby Metalwork at 20 Exchange Place (1931)

Nickel-Silver Elevator Doors and Lobby Metalwork at 20 Exchange Place (1931)
New York City Art Deco landmark in Lower Manhattan.

Completed in 1931, 20 Exchange Place stands as one of the most refined Art Deco skyscrapers in New York’s Financial District. Designed by architects Cross & Cross for the City Bank–Farmers Trust Company, the building is best known for its restrained exterior and richly crafted interior—where sculpture and metalwork play a central role in expressing the ideals of modern commerce.

At the heart of the building lies its lobby, distinguished by a remarkable ensemble of nickel-silver elevator doors and surrounding metalwork, executed under the direction of British sculptor David Evans. Using a rare alloy of copper and nickel, Evans developed a sculptural program that combines technical precision with elegant, figurative reliefs—an approach that elevates functional architecture into monumental decorative art.

The elevator panels depict stylized female figures rendered in high relief, their poised bodies and flowing drapery embodying themes of progress, movement, and economic power. The compositions balance classical calm with modern geometry, reflecting the Art Deco synthesis of timeless allegory and contemporary design. Crisp lines, polished surfaces, and carefully modulated volumes emphasize both material sophistication and symbolic clarity.

Beyond the elevator doors, the lobby originally featured additional bronze sculptural elements at the building’s entrance, also attributed to Evans. While these works were undergoing restoration at the time of documentation and could not be photographed, they form part of a cohesive decorative vision in which metalwork serves as both ornament and narrative—reinforcing the building’s identity as a temple of modern finance.

Together, the nickel-silver doors, grilles, and architectural details at 20 Exchange Place represent a rare surviving example of early-1930s Art Deco metalwork in New York. They exemplify a moment when craftsmanship, sculpture, and corporate ambition converged—leaving behind an interior that remains one of Lower Manhattan’s most quietly powerful artistic statements.

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