Conceived and produced by visionary editor Fleur Cowles, Flair Magazine existed for only one year and twelve issues. Nevertheless, Flair launched a new aesthetic paradigm for mass-produced lifestyle magazines. The magazine combined art, fashion, travel, and reportage to take the most out of its Editor’s formidable influence in promoting European and American talent.
The double spreads pages are reproduced from the originals.
“High Society” published in December 1920 is a unique book celebrating the work of the star-illustrator Anne Fish. It’s a selection of drawings published on Vanity Fair US from 1914 to 1920. The book provides a unique, rich lens into American and international high society’s lifestyles.
Read More
Ikonographia celebrates Bugatti Automobili’s myth with three posts using the splendid images of Roberto Bigano, Bugatti’s photographer in the 1990s. Romano Artioli , the founder of Bugatti and Gianpaolo Benedini, the Architect who built the facility tell us all the story.
Read More
The full 1921 Abdulla ad campaign in the French magazine “La Vie Parisienne.” The star is Mélisande, a wealthy, young, elegant, and beautiful Parisian who goes to Monte Carlo to try her luck at the casino. Here she meets an elegant Englishman who woos her and with whom she gets engaged and finally marries three days before New Year’s Eve; her life unfolds between suitors, losses, and wins at the table and a lifestyle of unbridled luxury.
Read More
This chapter documents the earliest phase of the Plastic Girls archive, focusing on shop-window mannequins before the rise of performative display. Photographed between 1977 and 1980, these figures are defined by restraint: balanced poses, controlled gestures, and a visual language centered on stillness rather than spectacle. Seen today, they mark the final moment of an “innocent” artificial body, quietly entering public space before excess, dramatization, and theatrical identity took hold.
Read More